1996 – Present (16 years) https://evolutionbynight.wordpress.com/

GMA Action/EvolutionByNight
is offering new ways to change your life for the better here and now through ancient wisdom combined with modern technique & psychological insights from NLP – and the Power of Your Own Subconscious Mind.
With GMA Action/EvolutionByNight you can take the next important step in your personal development. Welcome!

Partnership; 11-50 employees; Research industry

2008 – 2008 (less than a year) Malmö

Consulting and assisting the students at K3 concerning directorial viewpoints when this programme reached the segment about scenic design in the Theatre.

Public Company; 51-200 employees; Events Services industry

2006 – 2006 (less than a year)

Speaker: Why, When and How psychological change occurs.

Public Company; 11-50 employees; Primary/Secondary Education industry

February 1998 – August 1998 (7 months) Eslöv

Teacher at Eslövs kommun.
Two separate courses.
A.
Swedish, Motivation, Self-Esteem.
B.
Mind-Body, Motivation, Health, Self-Esteem, and more.

1978 – 1997 (19 years) Sweden

X2 was a ”different fish in the pond”. We started using heavy metal in the theatre as early as 1978 (Blue Cheer’s Vincebus Eruptum, first album from 1968) and did a rewrite of August Strindbergs ”Miss Julie where, in the end, Jean don´t give the razor to Julie. Instead he moves into a borderline state, i.e. gets mad. We made numerous productions, among them original plays by me, and stuff by Fassbinder and Horváth.
”Europeon Son” was performed at the Södra Teatern, Stockholm (later to be transposed into a radio play).
We did the original play ”Syster/Syster” (Sister/Sister) at the Skeppsholmens Torpedverkstad.
(Script, direction GMA)
and ”Sitta Vackert” by Guérin at Södra Teatern, Stockholm.
(Direction GMA)
We also produced the play about Bessie Smith, ”Jag var Bessie” (I Was Bessie), that was performed at HG5, Stockholm with Richard Sseruwagi in the male lead, and
Carolyn Bennett the femle lead as Bessie.
(Script, Direction GMA)
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1978 Spelets Regler Script, direction.
1978 Verklig Teater. Script, direction.
1979 Bazookas äventyr och styr utvecklingen
i riktning mot böcklingen – Dadistisk fresk.
Script. Direction.
1979 Fröken Julie. Adapation to a 30 minute show. Direction.
1980 Fassbinder homage. Direction.
1981.Utsikten. by Ödon von Horvath. Direction.
1983. Bombsäkert. Script. With Per Morberg.
1986 Syster/Syster. Script. Direction.
1986 X2:s Alligator. Skarpsinnig satir. Script, Direction.
1986 Samum. by Strindberg. Direction.
1987 Sitta Vackert av Raymond Guérin. Direction.
1988 Tjurrusning/Kattklösning. Script. Direction.
1991 Jag var Bessie. Script. Direction.
1994 Ussare Kvanting Detektivbyrå. Script. Direction.
1997. Bara en mor. Direction.
—
Radioplay:
1992 Vid kontrollerna. Script. Direction. Recording. Mixing.
Production.
—

February 1995 – June 1995 (5 months) Malmö, Sweden.

GMA has worked as i scriptwriter, director and editor in the
SIM-Television Project in Malmö, Sweden.
Nine 30-minutes productions with intention to show the cultural activities of the immigrant organizations i Malmö.
Produced in 1995. Sent in 1995.

1994 – 1994 (less than a year) Sweden

Co-editor ”Mailed Art in Uppsala – Choosing your Partner”, a book about mailart. Included was interviews with the worlds leading mailart-artists, among them the legendary Ray Johnson
( – who posted a thank-you-artwork to me: ”I am often killed”).

1994 – 1994 (less than a year) Sweden

Worked as a co-editor on the Trance Magazine (Editor: Julian Birbrajer). Contributed as an author of short stories.

1978 – 1994 (16 years) Stockholm

Scripted, produced and directed several shorts – of which most of them were shown on the swedish TV (Kanal 1 and TV2).
Included:
1978 Förhör (The Examination) Short.
1970 Fröken Julie (Miss Julie) 28 min.
1980 Jag är levande (I Am Alive) Short.
1981 Quatre-Mains Short. 22 min.
1982 Försäkringsmannens uppror
(The Insurance Salesman´s Revolt) 38 min.
1986 Mikael Nordfors, gatumusiker. M.N. Street Musician.
1988 Endlessly Jealous. Short. In Black/White.
1990 Svenska Samtal (Swedish conversations). Short.
1992 Tvekampen (The Duel). Short.
1993 Bikt (Confession). Short.
1994 Bröderna (The Brothers) With John Harryson and
Peter Harryson 15 min. Script by Joakim Pirinen. 35 mm.

1993 – 1993 (less than a year) Kulturhuset, Stockholm.

Projekt ”Global terminal”.
Instructing kids to use a radio recording studio, to work with film animation and to use the internet as a means to collect information and knowledge.

1991 – 1993 (2 years) Stockholm County, Sweden

I wrote some short stories for this magazine, and was also responsible for covering rock news and musician biographies.

1992 – 1992 (less than a year) Sweden

Co-Author – LJUDKONST (The Art of Sound).
Editor Peter R Meyer.

1992 – 1992 (less than a year) Stockholm

Wrote and directed a radio play, ”Vid kontrollerna”
(”At the controls”). Actors: Jan Unestam, Ulla Rasmusson.
Theme: Erotic fixation, jealousy and madness.
This production can still be ordered for airing in Sweden, because I own the full rights.

Public Company; 1001-5000 employees; Broadcast Media industry

1989 – 1992 (3 years) Sweden

1989 The movie 1939. Part: MC. Director Göran Carmback.
1992 Kvällspressen. Part. Editor on the daily paper
Kvällspressen.

Public Company; 1001-5000 employees; Broadcast Media industry

1979 – 1992 (13 years) Stockholm

1979 Sopgubbar (Garbage Men, documentary)
Production SR, Swedish Radio
1980 Euopean Son. Production SR Swedish Radio
1982 Idag går natten in i mig (Today the Night Falls Into Me)
Production SR Swedish Radio.
1992 Vid kontrollerna (At the Controls).
Production GMA Action.
—
I also directed several radio plays, including ”European Son” (which was an adaption of a stage production) and ”Idag går natten in i mig” (Today The Night Falls Into Me); a play about the famonus swedish painter Carl Fredrik Hill. Owe Stefansson did Carl Fredik Hill. Included music from Carl Orffs work and from C.O:s and Gunild Keetmans ”Gassenhauer”.
Europeon Son was a collage of european youth voices, mixed with blazing rock music; The Runaways, David Bowie, Roy A Loney and other performers.
At the Controls was a story about a strange love, the man wants to monitor his wife every moment, with violent results.

1978 – 1992 (14 years) Sweden

Author of several short stories in the Galago Magazine, now a branch of Ordfront Förlag, Stockholm.
Among them ”Mixed Double”, ” Vaslev Pukas bulor” (”The bumps of Vaslev Pukas” and ”Frälsningen är nära” (”The Salvation Is At Hand”).

1989 – 1989 (less than a year) Stockholm

Supporting actor in this feature movie from 1989.
Part: Master of Ceremonies at Blå Hallen (Town Hall), during a celebration. One of SF (Swedish Filmindustry) biggest productions at the time, with a budget of 30 million swedish crowns.

Public Company; 1001-5000 employees; Broadcast Media industry

1985 – 1985 (less than a year) Stockholm

1985 Co-writer. ”Nattövning” 13 and 14. with Peter R. Meyer.
Broadcasted in SVT, the Swedish Television.

Nattövning /Night Exercise was a sort of experimental art programme with a story as a motor.

Privately Held; 11-50 employees; Media Production industry

1981 – 1984 (3 years) Stockholm

Worked mostly as a critic, covering films and books.

Privately Held; Myself Only; Publishing industry

1980 – 1984 (4 years)

Worked as a literary critic in LÄS-Femina, a literary supplement to another magazine, Femina, Allers Förlag, Helsingborg.
Included intervies with several authors, among them John Irving , of ”Garp”-fame.

1979 – 1984 (5 years) Sweden

Film Critic and Literary Critic during 1979-1984 (at least).

Privately Held; 51-200 employees; Broadcast Media industry

1981 – 1981 (less than a year) Sweden

This was at Nordic Channel, the company that preceeded the broadcasting company Kanal 5.

Public Company; 1001-5000 employees; Broadcast Media industry

1979 – 1979 (less than a year) Stockholm

Editor of the ”Lyhört” Magazine.
Worked as journalist, photographer, editor, covering everything intresting happening within the Sveriges Riksradio company. ”All the news that fits”, as Rolling Stone put it.